Calendar

Like Canto Ostinato, Lemniscata consists of musical sections — labyrinths with an infinite number of entrances and exits. Pianists can determine the duration, material, dynamics and registers as they play. Thus, the same Lemniscata performed in the morning may sound completely different by the evening of the same day with the same musicians. This is the essence of an open form and “creation in the process”, where, according to the author’s idea, music becomes a meditative journey through time and sound: “Time dissolves. Sound takes on form, and form becomes space.” At the concert in the Rassvet Community Center, pianists Vladimir Rakievsky and Pavel Dombrovsky will play Lemniscata on two grand pianos.

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Canto Ostinato by Simeon ten Holt will be performed on carillon and two piano’s by Frank Steijns and Friends.

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Canto Ostinato performed by Jeroen van Veen. Info & Tickets

“More than ever, we are living in a raging storm. With Typhoon, I want to convey that we must continue to fight for harmony, beauty, and cohesion in everything that happens to us.” — Krisztina de Châtel

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More than ever, we are living in a raging storm. With Typhoon, I want to convey that we must continue to fight for harmony, beauty, and cohesion in everything that happens to us.” — Krisztina de Châtel

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Canto Ostinato by Introdans

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More than ever, we are living in a raging storm. With Typhoon, I want to convey that we must continue to fight for harmony, beauty, and cohesion in everything that happens to us.”
— Krisztina de Châtel

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Meandres performed by the Natalon quartet. Meandres is Ten Holt’s last major composition. He compared the composition to a four-track tape with which he had worked extensively in the seventies. Each pianist takes on one track in principle, but may also switch tracks if desired. There is a repeat structure as we know it from Canto Ostinato, but the parts are more clearly divided into four layers.

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