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Canto Ostinato by Simeon ten Holt has inspired the French choreographer Martin Harriague to make a new dance production ‘Crocodile’ which will take place in September and November in the theaters of France. 

Crocodile stages the coming together of two bodies which agree, punctuate each other, and question each other as so many words come together during a meeting: that of the choreographer and the dancer Émilie Leriche with whom he creates and performs the room. The bodies come closer, avoid each other, follow each other, brush against each other and then end up touching. The gazes hold on, never letting go, in an unpredictable, hypnotic and moving synchronism.

A refined and delicate piece oscillating between attraction and repulsion, softness and clash, in which the choreographer translates to love and its fragility through living bodies in search of harmony

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Traditionally, the Orgelpark presents a number of concerts that focus on repetitive music during the first weekend of October: minimal music. The October three-day event ends on Sunday with a performance of Simeon ten Holt’s most famous composition: Canto Ostinato - performed by Aart Bergwerff

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Canto ostinato performed by Jeroen en Sandra van Veen & LP Duo

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Canto Ostinato by Simeon ten Holt has inspired the French choreographer Martin Harriague to make a new dance production ‘Crocodile’ which will take place in September and November in the theaters of France. 

Crocodile stages the coming together of two bodies which agree, punctuate each other, question each other as so many words come together during a meeting: that of the choreographer and the dancer Émilie Leriche with whom he creates and performs the room. The bodies come closer, avoid each other, follow each other, brush against each other and then end up touching. The gazes hold on, never letting go, in an unpredictable, hypnotic and moving synchronism.

A refined and delicate piece oscillating between attraction and repulsion, softness and clash, in which the choreographer translates love and its fragility through living bodies in search of harmony.

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Canto Ostinato performed by Sandra & Jeroen van Veen

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Concerto extraordionario final do 6º Curso Haruna Takebe da Escola de Música Play 2024
4 pianistas xuntos para interpretar unha obra maestra do minimalismo do século XX

VERTIXE SONORA David Durán, Luis Ángel Martínez, Álvaro Sieira, Haruna Takebe pianos

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During the MOSELMUSIKFESTIVAL 2024 in Trier, Canto Ostinato will be performed by Victor Kraus Group. A sound experience of it’s own, 75 minutes of pure music without interruption, emotional, rhythmical, melodic. One of the most performed Dutch pieces interpreted by the extraordinary musicians of the VICTOR KRAUS GROUP. An unheard and unprecedented version integrating strings and winds.

Percussion: Guy Frisch / Marimba: ictor Kraus / Querflöte: Aniela Stoffels / Vibraphon: Pascal Schumacher / piano: Kae Shirak / Cello: Anik Schwall / Elektronik: Emre Sevindik 

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Canto Ostinato performed by Geerten van de Wetering (organ), Matthijs Koene (pan flute), Beate Loonstra (harp)

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Metropolis Ensemble and Brooklyn Botanic Garden presents Biophony: Solstice in sweeping sunrise and sunset performances of minimalist Dutch composer Simeon ten Holt’s lyrical gem, Canto Ostinato.

On the longest day of the year, the sun will rise at 5:45am to an intimate presentation of “Canto Ostinato” with Sandbox Percussion and pianist Erik Hall at Brooklyn Botanic Garden’s famed Cherry Esplanade. After the sun arcs the stunning 52-acre gardens, the day will end with an epic 50-musician rendition of “Canto Ostinto” in the rolling hills of the Plant Family Collection as the sun sets, celebrating the start of summer in the Northern Hemisphere.

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The Simeon Quartet will play the Canto Ostinato in Groede during the Hoogtij Festival.

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